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DRAM - The Uber Song (Audio)
 
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iTunes: https://itunes.apple.com/us/album/the-uber-song-single/id1245358378?ls=1&app=itunes Spotify: http://open.spotify.com/album/0y9yyo8XsJLCj66DIGHFk5 Google Play: https://play.google.com/store/music/album?id=Bweviynj77aaniw3gn6vksn7fc4 http://www.bigbabydram.com http://Twitter.com/BigBabyDRAM http://Facebook.com/BigBabyDRAM http://Instagram.com/BigBabyDRAM http://soundcloud.com/BigBabyDRAM Official audio by DRAM. - The Uber Song. © 2017 #1EpicCheck LLC / EMPIRE
Views: 325352 DRAM
City of Santa Rosa Council Meeting May 21, 2019
 
04:23:25
City meeting agendas, packets, archives, and live stream are always available at https://santa-rosa.legistar.com
Tổ hợp tên lửa S-75. Làm nên chiến thắng Hà Nội 12 ngày đêm B-52 U.S Air Force
 
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Tổ hợp tên lửa FRK S-75 Russia là một trong yếu tố quan trọng nhất làm nên chiến thắng B-52, Hà Nội 12 ngày đêm lịch sử, S-75 được điều khiển bởi trí tuệ người Việt nam cùng hệ thống phòng không pháo cao xạ tầm thấp 12,7mm, 37mm, 57mm & tầm cao 100mm đã tạo thành một lưới lửa đan chéo dày đặc & khép góc tọa độ, lời thú của nhiều phi công Mỹ bị bắt " Tôi chưa từng thấy một lưới lửa phòng không nào mạnh như ở đây- miền Bắc Vietnam".."Hệ thống pháo phòng không bắn vào chúng tôi khủng khiếp nhất mà tôi từng thấy ở đây " Hiệp đồng tác chiến giữa MiG-21 & các đơn vị pháo phòng không mặt đất đã đẩy các máy bay của không quân Mỹ ra ngoài các vị trí ném bom ở Hà Nội, bảo vệ vững chắc bầu trời Thủ đô là niềm tin và chiến thắng. Sau 40 năm Các Sĩ quan Xô Viết điều khiển tên lửa S-75 & các Pilot U.S Air Force. Họ nói về hệ thống phòng không Vietnam 1965 - 1972. Với những chiến công, đúc kết cải tiến kinh nghiệm, đau thương mất mát & khâm phục về một cuộc chiến tranh của toàn dân.
Views: 679254 Le Thyson
You Bet Your Life: Secret Word - Name / Street / Table / Chair
 
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Julius Henry "Groucho" Marx (October 2, 1890 -- August 19, 1977) was an American comedian and film and television star. He is known as a master of quick wit and widely considered one of the best comedians of the modern era. His rapid-fire, often impromptu delivery of innuendo-laden patter earned him many admirers and imitators. He made 13 feature films with his siblings the Marx Brothers, of whom he was the third-born. He also had a successful solo career, most notably as the host of the radio and television game show You Bet Your Life. His distinctive appearance, carried over from his days in vaudeville, included quirks such as an exaggerated stooped posture, glasses, cigar, and a thick greasepaint mustache and eyebrows. These exaggerated features resulted in the creation of one of the world's most ubiquitous and recognizable novelty disguises, known as "Groucho glasses", a one-piece mask consisting of horn-rimmed glasses, large plastic nose, bushy eyebrows and mustache. Groucho Marx was, and is, the most recognizable and well-known of the Marx Brothers. Groucho-like characters and references have appeared in popular culture both during and after his life, some aimed at audiences who may never have seen a Marx Brothers movie. Groucho's trademark eye glasses, nose, mustache, and cigar have become icons of comedy—glasses with fake noses and mustaches (referred to as "Groucho glasses", "nose-glasses," and other names) are sold by novelty and costume shops around the world. Nat Perrin, close friend of Groucho Marx and writer of several Marx Brothers films, inspired John Astin's portrayal of Gomez Addams on the 1960s TV series The Addams Family with similarly thick mustache, eyebrows, sardonic remarks, backward logic, and ever-present cigar (pulled from his breast pocket already lit). Alan Alda often vamped in the manner of Groucho on M*A*S*H. In one episode, "Yankee Doodle Doctor", Hawkeye and Trapper put on a Marx Brothers act at the 4077, with Hawkeye playing Groucho and Trapper playing Harpo. In three other episodes, a character appeared who was named Captain Calvin Spalding (played by Loudon Wainwright III). Groucho's character in Animal Crackers was Captain Geoffrey T. Spaulding. On many occasions, on the 1970s television sitcom All In The Family, Michael Stivic (Rob Reiner), would briefly imitate Groucho Marx and his mannerisms. Two albums by British rock band Queen, A Night at the Opera (1975) and A Day at the Races (1976), are named after Marx Brothers films. In March 1977, Groucho invited Queen to visit him in his Los Angeles home; there they performed "'39" a capella. A long-running ad campaign for Vlasic Pickles features an animated stork that imitates Groucho's mannerisms and voice. On the famous Hollywood Sign in California, one of the "O"s is dedicated to Groucho. Alice Cooper contributed over $27,000 to remodel the sign, in memory of his friend. In 1982, Gabe Kaplan portrayed Marx in the film Groucho, in a one-man stage production. He also imitated Marx occasionally on his previous TV sitcom Welcome Back, Kotter. Actor Frank Ferrante has performed as Groucho Marx on stage for more than two decades. He continues to tour under rights granted by the Marx family in a one-man show entitled An Evening With Groucho in theaters throughout the United States and Canada with piano accompanist Jim Furmston. In the late 1980s Ferrante starred as Groucho in the off-Broadway and London show Groucho: A Life in Revue penned by Groucho's son Arthur. Ferrante portrayed the comedian from age 15 to 85. The show was later filmed for PBS in 2001. Woody Allen's 1996 musical Everyone Says I Love You, in addition to being named for one of Groucho's signature songs, ends with a Groucho-themed New Year's Eve party in Paris, which some of the stars, including Allen and Goldie Hawn, attend in full Groucho costume. The highlight of the scene is an ensemble song-and-dance performance of "Hooray for Captain Spaulding"—done entirely in French. In the last of the Tintin comics, Tintin and the Picaros, a balloon shaped like the face of Groucho could be seen in the Annual Carnival. In the Italian horror comic Dylan Dog, the protagonist's sidekick is a Groucho impersonator whose character became his permanent personality. The BBC remade the radio sitcom Flywheel, Shyster and Flywheel, with contemporary actors playing the parts of the original cast. The series was repeated on digital radio station BBC7. Scottish playwright Louise Oliver wrote a play named Waiting For Groucho about Chico and Harpo waiting for Groucho to turn up for the filming of their last project together. This was performed by Glasgow theatre company Rhymes with Purple Productions at the Edinburgh Fringe and in Glasgow and Hamilton in 2007-08. Groucho was played by Scottish actor Frodo McDaniel. http://en.wikipedia.org/wiki/Groucho
Views: 123807 Remember This
espyconnect NDIS Support Item modification 2017
 
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we have made some changes to our NDIS Support Items category. Watch our video to see how easy it is to update your listing!
Views: 10933 Espy Connect
Suspense: Will You Make a Bet with Death / Menace in Wax / The Body Snatchers
 
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There were several variations of program introductions. A typical early opening is this from April 27, 1943: (MUSIC ... BERNARD HERRMANN'S SUSPENSE THEME ... CONTINUES IN BG) THE MAN IN BLACK: Suspense! This is The Man in Black, here again to introduce Columbia's program, Suspense. Our stars tonight are Miss Agnes Moorehead and Mr. Ray Collins. You've seen these two expert and resourceful players in "Citizen Kane" - "The Magnificent Ambersons" in which Miss Moorehead's performance won her the 1942 Film Critics' Award. Mr. Collins will soon be seen in the Metro-Goldwyn-Mayer Technicolor film, "Salute to the Marines." Miss Moorehead and Mr. Collins return this evening to their first love, the CBS microphone, to appear in a study in terror by Lucille Fletcher called "The Diary of Sophronia Winters." The story told by this diary is tonight's tale of... suspense. If you've been with us on these Tuesday nights, you will know that Suspense is compounded of mystery and suspicion and dangerous adventure. In this series are tales calculated to intrigue you, to stir your nerves, to offer you a precarious situation and then withhold the solution... until the last possible moment. And so it is with "The Diary of Sophronia Winters" and the performances of Agnes Moorehead and Ray Collins, we again hope to keep you in... (MUSIC: ... UP, DRAMATICALLY) THE MAN IN BLACK: ... Suspense! http://en.wikipedia.org/wiki/Suspense_%28radio_drama%29
Views: 167217 Remember This
Auburn Coach Wife Kristi Malzahn Agrees with Match & eHarmony: Men are Jerks
 
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My advice is this: Settle! That's right. Don't worry about passion or intense connection. Don't nix a guy based on his annoying habit of yelling "Bravo!" in movie theaters. Overlook his halitosis or abysmal sense of aesthetics. Because if you want to have the infrastructure in place to have a family, settling is the way to go. Based on my observations, in fact, settling will probably make you happier in the long run, since many of those who marry with great expectations become more disillusioned with each passing year. (It's hard to maintain that level of zing when the conversation morphs into discussions about who's changing the diapers or balancing the checkbook.) Obviously, I wasn't always an advocate of settling. In fact, it took not settling to make me realize that settling is the better option, and even though settling is a rampant phenomenon, talking about it in a positive light makes people profoundly uncomfortable. Whenever I make the case for settling, people look at me with creased brows of disapproval or frowns of disappointment, the way a child might look at an older sibling who just informed her that Jerry's Kids aren't going to walk, even if you send them money. It's not only politically incorrect to get behind settling, it's downright un-American. Our culture tells us to keep our eyes on the prize (while our mothers, who know better, tell us not to be so picky), and the theme of holding out for true love (whatever that is—look at the divorce rate) permeates our collective mentality. Even situation comedies, starting in the 1970s with The Mary Tyler Moore Show and going all the way to Friends, feature endearing single women in the dating trenches, and there's supposed to be something romantic and even heroic about their search for true love. Of course, the crucial difference is that, whereas the earlier series begins after Mary has been jilted by her fiancé, the more modern-day Friends opens as Rachel Green leaves her nice-guy orthodontist fiancé at the altar simply because she isn't feeling it. But either way, in episode after episode, as both women continue to be unlucky in love, settling starts to look pretty darn appealing. Mary is supposed to be contentedly independent and fulfilled by her newsroom family, but in fact her life seems lonely. Are we to assume that at the end of the series, Mary, by then in her late 30s, found her soul mate after the lights in the newsroom went out and her work family was disbanded? If her experience was anything like mine or that of my single friends, it's unlikely. And while Rachel and her supposed soul mate, Ross, finally get together (for the umpteenth time) in the finale of Friends, do we feel confident that she'll be happier with Ross than she would have been had she settled down with Barry, the orthodontist, 10 years earlier? She and Ross have passion but have never had long-term stability, and the fireworks she experiences with him but not with Barry might actually turn out to be a liability, given how many times their relationship has already gone up in flames. It's equally questionable whether Sex and the City's Carrie Bradshaw, who cheated on her kindhearted and generous boyfriend, Aidan, only to end up with the more exciting but self-absorbed Mr. Big, will be better off in the framework of marriage and family. (Some time after the breakup, when Carrie ran into Aidan on the street, he was carrying his infant in a Baby Björn. Can anyone imagine Mr. Big walking around with a Björn?)
Views: 209062 Shari Wing